Danny Dyer’s Thoughts on EastEnders’ Dramatic Endings
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Danny Dyer, known for his role as Mick Carter on EastEnders from 2013 to 2022, recently shared an amusing and candid take on the iconic “doof doof” cliffhanger endings that mark dramatic moments in the series. Speaking on the Off Menu podcast, the actor revealed why he wasn’t a fan of getting his own “doof doof” moments, which have become a hallmark of the BBC soap.
According to Dyer, the pressure of holding an intense, shocked expression for an extended time was more awkward than dramatic for him. "You have to hold a gaze for about eight seconds," he explained, describing it as a mix of constipated intensity and bewilderment that ultimately feels a bit contrived. For Dyer, it’s not just the act of creating suspense that’s challenging—it’s the repetition. “You get exposed,” he said, explaining that as an actor, it’s difficult to bring freshness to what is essentially the same reaction every time.
He also recalled specific storylines, like Mick’s stint in prison, where the character repeatedly faced harrowing moments leading up to those climactic endings. These scenes required him to portray fear, vulnerability, or tension in a way that made each episode feel like a standalone thriller. But Dyer admitted it wasn’t always easy to keep it compelling. “At the end of every ep, it was the same face again. You can't mix it up,” he quipped.
Despite his apprehension about the “doof doof” moments, Dyer does look back on his time on EastEnders with humor. One particularly memorable ending involved him laughing, a rare departure from the usual tension-filled expressions. In the scene, his character is revealed as Shirley’s brother, and Mick bursts into laughter—a reaction that was never repeated in future episodes.
Dyer’s reflections highlight the blend of humor, pressure, and artistry that goes into creating television moments that keep viewers hooked. While the “doof doof” might have been a challenge for him, it’s clear his time on the show left an indelible mark on audiences—and on Dyer himself.
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