Mexican Singer Natanael Cano Receives Death Threats From Ruthless Cartel
Renowned Mexican singer Natanael Cano is under state protection after receiving death threats from a faction of the notorious Sinaloa cartel. Known for his contributions to the corridos genre, Cano finds himself in a perilous position, highlighting the ongoing intersection of music, culture, and organized crime in northern Mexico.
Over the weekend, a threatening banner appeared in the Sonora region, accusing Cano and other artists of financially supporting a rival group, the Salazares. Signed by “Jalisco Matasalas,” a subgroup of the "Chapitos" faction—led by sons of infamous drug lord Joaquin "El Chapo" Guzmán—the message warned, “This is the last time you will receive a warning. Mind your own business. If you don’t heed this warning, you will be shot.” The Chapitos have garnered a fearsome reputation, with chilling accounts of torture and violence that include victims being fed to tigers, as detailed in a U.S. Justice Department indictment.
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Authorities have swiftly intervened, launching an investigation and offering state protection to Cano and other threatened artists. While details about the nature of this protection remain undisclosed, officials are clearly taking these threats seriously, particularly given the rising violence in Sinaloa and neighboring states.
Corridos, a traditional ballad style that often narrates tales of drug cartels, has long been intertwined with the realities of narco violence. Artists like Cano and others have modernized the genre by blending it with trap and other contemporary styles, fueling its global resurgence. Despite the genre's popularity, it frequently draws criticism and, as this case underscores, life-threatening repercussions.
Cano is not the first artist to face such dangers. In 2023, rising star Peso Pluma was forced to cancel a performance in Tijuana after receiving cartel threats. These incidents reveal the volatile dynamics between culture and crime, where music inspired by violence inadvertently becomes a target.
As Mexico grapples with escalating cartel conflicts, the cultural impact of narco-related music remains a complex issue. Government initiatives have sought to promote less violent musical alternatives, yet the deep-rooted connection between corridos and Mexican identity ensures the debate is far from over. For now, Cano’s safety remains paramount as the music world watches anxiously.
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