Peter Straughan Wins Best Adapted Screenplay Oscar forConclave
Last night at the 97th Academy Awards, British screenwriter Peter Straughan took home the Oscar for Best Adapted Screenplay for Conclave , his adaptation of Robert Harris’s gripping novel about the secretive world of papal elections. This marks yet another accolade for Straughan, who had already secured wins at the BAFTAs, Golden Globes, and Critics’ Choice Awards for the same film.
At 56, Straughan is no stranger to the awards circuit. He was previously nominated for an Oscar for his adaptation of Tinker Tailor Soldier Spy in 2011, a screenplay he co-wrote with his late wife, Bridget O’Connor. Their work won them a BAFTA, though O’Connor sadly passed away before the film’s release. Straughan has continued to cement his place as one of the industry’s top screenwriters, also earning an Emmy nomination for Wolf Hall and writing its second season, which aired last year.
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Taking the stage with a ribbon bearing the blue and yellow colors of Ukraine, Straughan delivered a heartfelt speech, thanking his cast, crew, and especially his daughter, whom he said he shared the award with. His win was a major moment in a night dominated by Anora , which took home Best Picture, Best Director for Sean Baker, and multiple acting prizes.
Conclave , directed by Edward Berger, was a strong contender throughout the awards season, even pulling off a surprise Best Picture win at the BAFTAs. The film, praised for its gripping narrative and intricate portrayal of Vatican politics, was up for eight Oscars in total. For Best Adapted Screenplay, it triumphed over strong competition, including A Complete Unknown , Sing Sing , Emilia Pérez , and Nickel Boys .
The film stars John Lithgow and explores the secretive and dramatic process of electing a new pope. The story takes audiences deep inside the Vatican as cardinals gather following the death of the pope, each with their own ambitions, secrets, and struggles. Its themes of power, faith, and human frailty have sparked much discussion, particularly in the way it tackles issues of sexuality and gender within the Church.
While Conclave ultimately secured just one Oscar, its impact has been undeniable. It’s a film that challenges audiences, sparking debate and conversation about the traditions and future of the Catholic Church. Straughan’s win is a testament to his skill in bringing complex stories to life, and with such a strong track record, it’s clear we can expect more great work from him in the future.
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