Beth on Channel 4 Feels Like a Promising Concept Cut Short
So, I just watched Beth , Channel 4’s new drama series — or should I say, mini-mini-series — and wow, I have thoughts. It’s the first original drama made specifically for Channel 4’s digital platform and YouTube, which is a bold move, but let me tell you: if you’re going to deliver your show in three 15-minute episodes, every second needs to hit hard. Unfortunately, Beth doesn’t quite land the punch.
Also Read:- T.J. Oshie Bids Farewell to NHL After 16 Unforgettable Seasons
- Cubs' Nico Hoerner Ejected for Saying the Quiet Part Out Loud
Directed and written by Uzo Oleh, who is mainly known for his work as a photographer and short film-maker, Beth starts off with an intriguing premise. A couple, Molly and Joe, who’ve battled infertility, suddenly find themselves expecting after giving up on IVF. It’s a storyline ripe for emotional tension, character development, and even sci-fi surprises. And the setup is there — Molly is a graceful blonde, Joe is a grounded and loving Black husband, and their daughter Imogen looks exactly like Molly… but nothing like Joe.
We’re subtly introduced to Dr. Balthas, the fertility specialist, and the suggestion that perhaps his involvement in their story goes deeper than expected. There’s a look, a touch, and suddenly your mind goes to all the places sci-fi loves to explore — deception, technology, genetic meddling. The show hints at big themes. But then… it just doesn’t follow through.
The episodes feel rushed, like we're constantly being yanked forward before anything has time to breathe. There are major time skips — suddenly Imogen is around six or seven, the couple has split up, and Molly might be living with the doctor. Joe stumbles upon emails on Molly’s laptop that suggest something world-shifting, but we never quite learn what exactly that is. Was there genetic tampering? Is Imogen even human? Is there a clone situation? The show throws breadcrumbs but forgets to bake the rest of the loaf.
The frustration is not in the mystery — mystery can be brilliant. It’s that the show doesn’t earn it. You’re not left curious; you’re left confused. It’s like watching the opening of a Black Mirror episode, waiting for the twist, and then it ends before the real story begins. We get gorgeous direction, stylish cinematography, and strong acting — especially from Nicholas Pinnock, who really carries much of the emotional weight — but it’s all in service of a script that feels like a draft, not a finished piece.
And maybe that’s what stings the most. The potential here is huge. The themes of identity, race, science, and betrayal could’ve made for a gripping hour-long special or even a full series. But instead, we get 34 minutes of beautifully shot build-up with little payoff.
In the end, Beth is more concept than conclusion — an intriguing experiment that doesn’t quite gel. It’s worth a watch if you’re curious, and you can find it on YouTube now or catch it on Channel 4. But be warned: it may leave you wanting more... and not in the good way.
Read More:
0 Comments