Neal McDonough Rides Tall Again inThe Last Rodeo
You know, every once in a while, a film comes along that hits you harder than expected—not because it reinvents the wheel, but because it leans so completely into the heart of a story. That’s what The Last Rodeo does, and Neal McDonough? He’s the one holding the reins.
Now showing in theaters and released by Angel Studios, The Last Rodeo stars McDonough as Joe Wainwright, a former bull-riding champion whose glory days are long behind him after a devastating accident. Years ago, Joe’s life was derailed by a drunken ride that ended in a near-fatal fall. It left him paralyzed and emotionally estranged from his daughter, who spent her youth helping him walk again. But now, Joe has one last ride left in him—not to chase fame or ego, but to save his grandson.
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The plot centers on Joe’s return to the arena after learning that his grandson has a brain tumor, the same kind that took Joe’s wife, played by McDonough’s real-life partner, Ruve. The surgery that could save the boy's life comes with a staggering price tag: $750,000. Insurance won’t cover it, so Joe signs up for a high-stakes comeback competition, risking everything—including his life.
What makes this more than a typical redemption story is McDonough’s personal investment. He’s not just the lead actor—he’s also the co-writer and producer. You can feel his fingerprints on every frame, and he seems to be pouring himself into this role not just as a character, but as an artist with something to prove. He doesn’t carry the film alone, though. Mykelti Williamson brings heart and authenticity as Joe’s manager and war buddy, with a Bible always close by and a calm strength that grounds every scene he’s in.
And let’s talk direction. Jon Avnet, known for Fried Green Tomatoes and The Mighty Ducks , handles things behind the camera with a steady hand. The bull-riding scenes are visceral and immersive, thanks to some solid handheld camera work that keeps us close but never queasy. The CG? Surprisingly well-done—definitely better than some recent blockbuster efforts.
This isn’t a preachy faith-based movie. Sure, it’s rooted in values and moral struggle, but it never bangs you over the head with its message. There’s some anger at God, some searching for meaning, but it feels honest rather than over-scripted. That balance might actually make it more relatable for a broader audience.
In the end, The Last Rodeo isn’t about bulls or bravado—it’s about legacy, sacrifice, and second chances. Neal McDonough rides tall once again, not because he’s perfect, but because he’s still willing to get back in the saddle, scars and all. And if you ask me, that’s worth the price of admission.
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