Sabrina Carpenter’s New Album Cover Sparks Controversy — Then Divine Approval
So, here's the latest tea straight from the world of pop — Sabrina Carpenter is back in the headlines, and not just for another chart-topper. This time, it's all about the visuals for her upcoming album Man’s Best Friend . And let's just say, it’s been a rollercoaster of reactions.
When she first revealed the original album artwork, fans and critics alike were taken aback. Picture this: Sabrina, on all fours in a black dress and heels, with a faceless man gripping her hair. The cover was bold, provocative, and clearly not afraid to stir conversation. It definitely did — with some people applauding it as an expression of her sex-positive artistry, while others slammed it for being too suggestive and even called it anti-feminist. The internet, as always, did what it does best: divide into passionate camps.
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Then comes the twist. Just a few days ago, on June 25, Sabrina took to social media to debut an alternate version of the album cover. This time, the image is in elegant black-and-white. She’s standing tall, resting her hand on a man’s suited shoulder, looking confidently into the distance. In her caption, she cheekily noted that the new version is “approved by God.” That one line — half sarcasm, half statement — pretty much sums up the entire situation: she’s in control, and she knows it.
But let’s not forget, this isn’t just about the art. Man’s Best Friend is gearing up to be a massive release. It drops August 29 via Island Records, and its lead single “Manchild” has already made waves by debuting at No. 1 on the Billboard Hot 100 — Sabrina’s first-ever track to do so. That’s huge. After years of building her music career post-Disney, she’s finally cemented herself as a powerhouse in the industry. From the playful “Espresso” to the sultry “Please Please Please,” she’s fully owning her pin-up persona and playful lyrics.
What’s even more interesting is how she’s using controversy to amplify her brand. Sabrina has always had that clever edge — leaning into her femininity and sexuality without apology. In a recent Rolling Stone interview, she even laughed off critics who complain about the themes in her music, pointing out that it’s the very songs people are listening to that are shaping her image.
Now, with her seventh studio album just around the corner, she’s not backing down. If anything, she’s doubling down — with confidence, a wink, and apparently, divine approval. Whether you love or hate the original cover, one thing is clear: Sabrina Carpenter knows exactly what she’s doing.
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