Noah Cyrus Finds Her Voice and Her Roots in Deeply Personal New Album
Noah Cyrus is stepping into her full power as a woman, an artist, and a storyteller with her new album, I Want My Loved Ones to Go with Me . If you've followed her career, you’ll instantly recognize the growth and quiet confidence she brings to this deeply emotional, country-leaning record. But if you’re just tuning in, prepare to meet a Noah who is more grounded, vulnerable, and creatively bold than ever before.
The album’s release isn’t just a musical moment—it’s a personal one. Noah produced the record herself, alongside Mike Crossey and PJ Harding, and the result is a raw, textured collection of songs that feel both timeless and intimate. It's filled with dreamy folk melodies, a dash of indie charm, and nods to her country roots. From start to finish, this is a body of work that feels like it belongs to her in every sense.
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What hits hardest is how she’s using music to process the complicated dynamics of family—especially growing up under the shadow of the Cyrus name. Her father, Billy Ray, echoes through the gentle track “With You.” Her brother Braison contributes the poetic “Don’t Put It All on Me.” And in one of the most heartfelt moments, her late grandfather Ron Cyrus recites a hymn written by his own father in the song “Apple Tree.” That hymn inspired the album’s title, and Noah released the record on what would’ve been his birthday. That kind of emotional intentionality is all over this project.
She’s not just honoring the past though—Noah’s also creating something boldly new. Her collaboration with Blake Shelton on “New Country” stands out, blending generations and voices into a harmony that just works. You wouldn’t expect her to share a tracklist with indie legend Bill Callahan, rising star Ella Langley, and Fleet Foxes’ Robin Pecknold, but somehow, she pulls it off effortlessly. It’s like a carefully curated dinner party of misfit talents that somehow speak the same language.
This is also the first time Noah fully stepped into the producer role, and you can hear that ownership. Little details—like the haunting reverb linking “Apple Tree” and “Man in the Field”—show just how much care and craftsmanship went into each layer of the album. Even the most subtle sonic choices serve the emotional weight of the songs.
And yes, while the record reflects on grief, family, and healing from her parents’ public divorce, there’s also light. “I Saw the Mountains” sparkles with the joy of a new relationship—her now-fiancé Pinkus being a grounding presence during the album’s creation.
Noah has said this isn’t a celebrity telling her side of the tabloid stories—it’s a daughter, a sister, a fiancée, and a woman working through life just like the rest of us. Her pain and healing are deeply personal but universally relatable. And she’s at peace with it now.
For the first time, she’s not picking her work apart. She said it herself—she wouldn’t change a thing. And as a listener, it’s easy to see why. This album doesn’t just mark a new chapter in Noah Cyrus’s career—it solidifies her voice in country music and beyond.
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