Jacob Elordi Stuns in Controversial Wuthering Heights Review

Jacob Elordi Stuns in Controversial Wuthering Heights Review

Jacob Elordi Stuns in Controversial Wuthering Heights Review

Jacob Elordi’s latest turn in Wuthering Heights is sparking headlines, but it’s not just the film that’s making waves—it’s how critics are responding. One review in particular has captured global attention and not for the usual reasons. Nikki Gemmell of The Australian delivered a five-star review that has readers both amused and shocked, opening with the unforgettable line, “I inhaled Wuthering Heights with my groin.” That phrase alone has fueled conversations about modern film criticism, celebrity culture and the shifting landscape of media coverage.

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The movie itself pairs Elordi with Margot Robbie, revisiting the dark, passionate tale of Heathcliff and Catherine in a story that has captivated audiences for nearly two centuries. Gemmell’s review describes the film as emotionally intense and visually striking, hinting at the raw power and sensuality the actors bring to their roles. Yet, not all critics share her enthusiasm. Peter Bradshaw of The Guardian gave the film a modest two stars, labeling it “quasi-erotic” and “pseudo-romantic,” signaling a sharp divide in reception.

This controversy highlights more than just differences in taste. It comes amid a period of significant transformation at The Australian . The publication has recently cut long-standing columnists and downsized its literary and review sections. Gemmell’s audacious review arrives as the paper seeks to modernize and engage audiences with a new culture vertical focused on video, newsletters and fresh voices. It’s a bold strategy, but one that underscores the tension between traditional journalism standards and a more sensational, attention-grabbing approach.

For audiences, the impact is twofold. First, it raises questions about how film reviews influence viewers in an era of viral commentary. A review that goes viral for its phrasing rather than its critique can shape public perception before audiences even see the movie. Second, it reflects broader shifts in media, where culture reporting is increasingly intertwined with spectacle, social media and the need to stand out in a crowded marketplace.

Elordi, for his part, continues to command attention not just for his performance, but for the cultural conversations his films ignite. Whether viewers are drawn to the movie’s storytelling or the headlines it generates, Wuthering Heights has become a touchpoint in discussions about cinema, criticism and the evolving role of media.

Stay with us as this story unfolds and keep watching for updates on Elordi’s career, audience reactions and the ongoing evolution of how films are critiqued and consumed around the world.

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