
Brandi Carlile and Elton John’s New Album Shines, But Sparks Don’t Fly
So, there’s been a lot of buzz about the new album Who Believes in Angels? , a collaboration between the legendary Elton John and Americana powerhouse Brandi Carlile. And let me just say—it’s one of those projects that sounds like it should be pure magic on paper. Two award-winning, deeply respected artists coming together across genres? Yeah, expectations were sky-high. But once you actually hit play, the result is... well, a bit of a mixed bag.
The album kicks off strong with The Rose of Laura Nyro , a tribute to a songwriting icon who influenced John in his early days. It’s theatrical, full of flair, and really leans into that vintage Elton sound—the kind that feels like it belongs under Broadway lights. There’s glitter in the arrangements and a throwback guitar solo that practically screams 1970s. You can feel John channeling his Goodbye Yellow Brick Road era, and honestly, that part works. There’s energy. There’s ambition.
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But here’s the thing—despite the glamour and production sparkle, the chemistry between Carlile and John doesn’t quite catch fire vocally. Brandi, who usually brings a ton of soul and emotional weight to her own music, somehow feels a bit flat here. And Elton? He’s still got that signature flair, but it’s like they’re singing at each other rather than with each other.
That said, there are some great moments scattered throughout the record. Little Richard’s Bible is a fun, upbeat boogie with John getting playful again. Swing for the Fences delivers a solid, feel-good anthem for the underdog—complete with that polished, country-pop groove that’s so on-trend right now. And The River Man builds beautifully from a gentle start into something bold and arena-ready. Brandi handles the verses while Elton sweeps in on the chorus, and that combo finally starts to click.
The title track, Who Believes in Angels? , is probably the emotional centerpiece. It’s a lush ballad that soars in the chorus, touching on themes of faith, love, and resilience. It’s big, heartfelt, and you can feel both artists reaching for something meaningful.
Then there’s the closing track, When This Old World Is Done With Me , which is haunting and reflective—a quiet gospel number led by Elton that feels like a farewell letter wrapped in melody. It’s tender and tasteful, and if this is one of John’s last big moments on record, it’s a pretty classy curtain call.
So overall? The album has its highlights. It’s polished, nostalgic, and full of intention. But does it deliver on the promise of a vocal dream team? Not entirely. It’s less about magical harmony and more about two strong artists doing their thing side by side—just not quite together.
Still, if you're a fan of either artist, Who Believes in Angels? is definitely worth the listen. Just go in expecting more glimmer than fireworks.
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