Superman’s Post-Credits Scenes Deliver Emotion, Not Expectations
Okay, so let’s talk about James Gunn’s Superman — specifically those two post-credits scenes that everyone’s buzzing about. If you’re going into this movie expecting the usual Marvel-style stingers that set up 18 different spin-offs and multiverse chaos, you might want to temper those expectations. These scenes aren’t what we’re used to, and that’s kind of the beauty of it.
Let me paint the picture for you: right after that nostalgic, Donner-esque credit sequence rolls, we get a quiet, almost meditative moment. Superman, played by David Corenswet, is just sitting on the moon — literally — with his faithful superdog Krypto beside him, watching Earth from a distance. That’s it. No explosions, no portals, no surprise villains. It’s serene, poetic even. This image isn’t even brand-new to fans — James Gunn had previously shared it on social media — but seeing it in the context of the film adds a completely different weight. It speaks to Superman’s loneliness, the godlike perspective he holds, and how far removed he often feels from the people he protects. It’s short, subtle, and surprisingly emotional.
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Then comes the second tag, and this one’s a little more fun. It’s tucked away at the very end of the credits. We see Mister Terrific, played by Edi Gathegi, after the big finale — remember that black hole in Metropolis? — and he’s inspecting a crack in a building he helped fix. Superman notices it’s not quite perfect, and when he mentions it, Terrific gets visibly annoyed and walks off. What follows is Superman muttering to himself, calling himself a jerk and apologizing, even throwing out a little “darn it!” while kicking a rock like a frustrated teenager. It’s genuinely charming. Not every superhero moment has to be about raising the stakes — sometimes it’s just about being human, or in Superman’s case, trying to be.
What’s refreshing here is how unburdened these scenes are. They’re not selling us on what’s coming next or dangling cliffhangers. They’re character-driven — small but meaningful beats that expand the emotional tone of the film. They feel like deleted scenes that made their way back in, not because they’re essential to the plot, but because they say something about who this Superman is. He’s powerful, yes, but he’s also awkward, empathetic, and — let’s be honest — kind of adorable.
Compared to the recent trend of overstuffed and ultimately meaningless post-credit setups (remember Harry Styles as Eros? Or Henry Cavill’s sudden return?), these tags in Superman are a breath of fresh air. They’re not trying to sell you anything — they just invite you to spend a few more minutes in this world. And honestly? That’s the kind of superhero storytelling we could use more of.
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