Jacob Elordi Transforms Into Frankenstein’s Creature in del Toro’s Epic
Also Read:- León and Pachuca Share the Spoils in a Thrilling Liga MX Clash
- Geelong Secures Top-Two Spot with Convincing Win Over Richmond
Hey, have you heard about Jacob Elordi’s latest role? It’s kind of mind-blowing. So, he’s stepping way out of his usual characters—you know, the high school heartthrob from Euphoria or the rock star in Priscilla —and diving into Guillermo del Toro’s adaptation of Frankenstein . And honestly, he’s almost unrecognizable. Elordi spent up to ten hours in makeup each day to become the creature, which is this hulking, patchwork figure with translucent skin. The whole process was intense, and it really shaped the way he moves, speaks, and reacts on screen.
What’s really fascinating is how del Toro and Elordi approached the character. The creature isn’t just a scary monster; he’s seen as this innocent, almost childlike figure at first, captivated by the world, and then slowly hardened by pain, rejection, and abuse. You can see the evolution in his posture—from standing tall and open at “birth” to hunching over as he experiences the cruelty of the world. Del Toro even mapped out the emotional journey of the creature, from trust to rage, and it’s been praised as one of the most humanized interpretations of Frankenstein’s monster ever.
Oscar Isaac plays Victor Frankenstein, but in del Toro’s version, Victor is more of a rock star-scientist than a classic mad scientist. He channels icons like David Bowie and Prince in the way he moves and carries himself, and his lab is this visually stunning set that looks like a mix between a concert stage and a mad inventor’s playground. Isaac described it as a space for Victor to perform as he literally creates life. And then there’s Mia Goth, who plays both Victor’s mother and his love interest, Elizabeth. Her presence is subtle but central, representing the roots of Victor’s upbringing and emotional complexity.
The production itself was a massive undertaking. Del Toro insisted on practical sets, like a fully constructed laboratory and ship, instead of green screens or CGI, because he wanted the actors to inhabit the world fully. Elordi even trained in a Japanese dance style called butoh to perfect the creature’s unsteady, eerie movements and studied Mongolian throat singing to shape his otherworldly voice. Every detail was painstakingly crafted, from prosthetics to physicality, to make the creature feel real and tragic rather than just terrifying.
The movie is set to have a three-week theatrical release before streaming on Netflix, and both Elordi and Isaac hope people experience it on the big screen. Elordi imagines teenagers in the back row seeing the creature’s birth for the first time, and he wants that communal, awe-inspiring moment preserved, rather than just watching at home.
Making the film pushed Elordi to his limits. He worked 20-hour days, ran barefoot through forests, scaled ships, and endured grueling physical challenges, but he never complained. Even Isaac and del Toro were amazed at his dedication. And it’s clear that this role has fundamentally changed him as an actor. Elordi says it transformed the way he approaches performance and even how he watches films.
So yeah, this isn’t just another monster movie. Del Toro’s Frankenstein is this epic, emotionally complex, visually stunning reinvention of a story we thought we knew. And with Elordi, Isaac, and Goth bringing these layered characters to life, it’s a cinematic experience you’re not going to want to miss.
Read More:
0 Comments