Sean Bean’s “Robin Hood” – A Gloriously Awful Adventure You Can’t Look Away From
Every once in a while, television gifts us something so spectacularly bad that it circles right back to being brilliant—and Sean Bean’s new Robin Hood series might just be that. This isn’t your polished, epic retelling of the heroic outlaw; it’s a wonderfully messy, over-the-top romp that somehow manages to be both ridiculous and oddly entertaining.
Set in the misty days after the Norman Conquest, the show opens with all the grandeur and clunky exposition you could hope for. An on-screen caption carefully explains the state of medieval England—Saxons oppressed, Norman rulers in charge, and forest laws making life miserable for anyone who dares to hunt a deer. It’s the sort of opening that promises drama, intrigue, and maybe a bit of unintentional comedy. And from there, things only get wilder.
Sean Bean, known for his intense and often tragic roles, steps into the boots of the Sheriff of Nottingham—ruthless, scheming, and having the time of his life. Bean doesn’t just act; he revels in the absurdity of it all. Whether he’s ordering executions, plotting with nobles, or dealing with his flirtatious daughter Priscilla (played with mischievous flair by Lydia Peckham), every moment feels like he knows exactly how gloriously silly this show is.
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Meanwhile, our hero isn’t “Robin” this time—he’s simply Rob , played by Jack Patten. The series takes great pains to show his humble Saxon roots, his boyhood training in archery, and his inevitable romantic spark with Marian (Lauren McQueen). There’s sword fighting, forbidden love, and even a touch of fantasy—complete with faeries, forest spirits, and a prophecy that Rob’s destiny is tied to the Greenwood. It’s medieval melodrama at its finest.
Visually, Robin Hood is surprisingly ambitious. The CGI castles, lush green forests, and bustling villages are impressively rendered—probably where most of the budget went. But what truly stands out? Not a single bad wig in sight! Somehow, this production avoided the medieval hair disasters that usually plague these types of shows, and that alone earns applause.
Of course, the pacing is all over the place. After two episodes, Rob is still just thinking about becoming an outlaw. But that’s part of the fun. There are ten episodes in total, released weekly on MGM+, leading up to the season finale on December 28. It’s the kind of series you don’t watch for depth or sophistication—you watch it for sheer chaotic joy.
By any serious standard, Robin Hood is objectively terrible. But subjectively? It’s a blast. Between Sean Bean’s gloriously hammy sheriff, the earnest performances, and the self-aware silliness, it might just be the most entertaining “bad” TV of the year. If you go in expecting nonsense and fun, you won’t be disappointed. And remember—no wigs. Rejoice!
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